Best Signorina by Salvatore Ferragamo Alternatives & Similar Perfumes

A passionate declaration of love written in ink and blood. The scent opens on a dark, almost smoky red rose, pierced with crimson sparks. Metallic aldehydes emerge, adding tension and intensity. Dense magnolia adds a sweaty sweetness. The opoponax warms and deepens the whole, leaving a profound, mysterious signature.

An aromatic, dreamy citrus scent inspired by the sumptuous Andalusician city of Marbella. With rose, amber and peach this perfume is fresh, floral and sophisticated.

Perfumer: Chris Maurice

Sensual, refined and compelling this fruity rose opens with crisp, succulent green apple blended with spicy pink pepper and lush blackcurrant. A honeyed bouquet of jasmine and tuberose enriches the delectable pink rose for a sophisticated effect. The tenacious golden base of amber, musk and vanilla indulges the floral fruits for a bold and amplified diffusion. 

The rose in Italian is “la rosa”. Reverse the perspective, come at it from a different angle, go right to left, and you get “Asoral”. This extrait burrows into the very essence of a young, dewy-petalled rose, taking you on a journey from the outside world to the inner you. This is achieved with a union of Turkish rose and Rosa Lani, a complex rose with vibrations of liquorice, tea and hay. Creamy magnolia, rosy-esque peony and soft musks add even more plushness, elevating Asoral to a radiant smile-bringer.

Perfumer: Cristiano Canali

In amongst the botanical collections and wonders of a Victorian glasshouse often found is the Orchid; one of many botanical rarities that for decades was the jewel and marvel of many an Edwardian and Victorian botanical explorer.

Ophrys is a summery botanical potion of great standing, with green aromatic and floral undertones that capture daring romantic notions of an era gone by, a love for exploration, discovery and the classical splendour of the English garden in bloom one balmy late summer afternoon. Here we present to you an ode to the great Plant Hunters of yesteryear.

A self-possessed perfume for a person who doesn’t need anything, but craves everything. This is excess with control, 70s-era Bianca Jagger wearing Halston, lighting up the Studio 54 dance floor. Carine is a fiercely chic patchouli with an ample gardenia and jasmine cleavage, trussed in a corset of vetiver. Sighs of rose and amber sail through the trail of this Dominique Ropion composition. Confident, elegant, insolent.

This “divine flower” is a luminous, untamed floral that captures the serenity of nature in motion. It starts bright and light: lemongrass and passion fruit, opening up to peony and lily of the valley. Watery, ethereal cyclamen drenches the richness of jasmine, ylang-ylang and narcissus like dew over a meadow. The drydown is green, a mingling of eucalyptus and sage with peppermint, juniper and pine, grounded by 
Mysore sandalwood and a hint of vanilla bourbon.

This deep and dark aquatic perfume takes you from the salty warmth of beach pebbles straight into the whispering waves, and eventually down to the inky fathoms inhabited by giant squids. Feel the caress of tentacles of incense — initially menacing, ultimately comforting.

A total delight, a Shahmaran dark rose with spicy spikes. This precious rose grows on a rock of amber and this makes its aroma deep and honeyed.

That was Bloom’s fragrant fairy tale take on describing 1001’1 Nights.

It’s a very poetic perfume inspired by the Arabic saga, a maze of stories inside a story. The materials (rose, incense, sea salt) and aesthetics (it’s a rich and generous oriental blend) totally would have fitted Scheherazade’s nights.