Best Irisoir by Sultan Pasha Perfumes Alternatives & Similar Perfumes

Inspired by the mythical nectar of the gods, Ambrosia opens with the sweet, delicate notes of plumeria and mango, layered with the lush richness of peach, lychee, and coconut. The heart reveals the creamy depth of heliotrope, musk, and guava, while wafts of French orris, Mysore and Sri Lankan sandalwood, Indian tuberose and vintage Ethiopian civet evoke a divine atmosphere—capturing the essence of heavenly indulgence.

In 1912, Houbigant's perfumer Robert Bienaimé picked up the ball from Paul Parquet (who earlier invented the whole fougere category while working for Houbigant at the end of the 18th century) and introduced Quelques Fleurs, one of Houbigant’s all-time great fragrances and the first multi-floral bouquet ever created.

The current owners of Houbigant take the heritage and history of the house very seriously and try to adapt the famous formulas from the 18th and 19th centuries to the 21st century's tastes and technologies while keeping the character and old-school flair as close as possible to the originals.

You might have read about Quelques Fleurs in books on perfume and the guides on the greatest perfumes of all time.

The current reincarnation is an adaptation of the original formula to modern times taste and it benefits from modern advances in perfume making.

Meet the 21st century Quelques Fleurs, a gorgeous romantic floral with a big history and an infinite number of floral facets.

Perfumer: Tomoo Inaba

Rich and gothic Moth starts with a heavy dose of dark spices to jolt your senses before settling into a dusting of honey-sweet rose and powdery florals. Slowly, it tests its wings, taking flight on an exotic journey of nagarmotha, guaiac wood and patchouli. Beneath it all lingers a smoky undertone that serves as a constant reminder to fluttering creatures of the danger in the tantalizing flame.

September 1757, Casino Venier, Venice

A powdery floral fragrance based on authentic 18th century cosmetic formulas.

A coquettish floral capturing the decadence of 18th century Venice, its rococo interiors and clandestine affairs: a powdery blend of black violet, blush rose, and chamomile nestled on an impossibly soft base of dusty iris and subtle, animalic amber. 

The so-called “Hanamachi” (花街 literally “flower town”) was traditionally the area where geishas lived and worked. This intriguing perfume evokes the allure of an “oiran”, the highest-ranking courtesan, expressing the contradictory charms of innocence and worldliness. Iris adds ravishing powdery notes to a bouquet of rose and violet. The base of sensual agarwood creates a beautiful harmony suggesting bygone decadence.

I was inspired while visiting Kew Gardens in London in May. Every May there are hundreds of blooming magnolia trees in different sorts, sizes, scents and colours. Usually it is a very rainy season and my inspiration was to create a scent of the water and rain on magnolia trees.  

The symbol of this modern perfume is an American modern dance pioneer Ruth St. Denis. She is not only a very talented performer, but also very feminine. 

Divine Dancer is an ethereal, watercoloured, light, fresh, feminine floral perfume. It is modern and vivacious fruity floral scent .

The Divine Dancer perfume is dedicated to one of the first American modern dance and ballet performers Ruth St. Denis.

Her vibrant and spirited art of dance, influenced by the East and South Asia, her divine body move and incredible costumes made Ruth St. Denis a worldwide well known star. Her body projects as Temple of femininity. 

When the dancer emerged from the darkness of the stage, her presence was immediately captivating, the air suddenly fragrant with her appearance. Adorned in jewels from head to toe, radiant in a special gold sari, her hair crowned in jasmine, she is an embodiment of divine feminine, mirroring the images of goddesses of Lakshmi and Saraswati but with the talented Ruth St. Denis touch of modern dance and ballet movement.

Not just a fine addition to luxury white chocolate chip cookies, macadamia is also an intriguing perfume material. Creamy, buttery and velvety, it’s the starting point for this unusual fruity floral. The floral is mimosa, a cute li’l flower that looks innocent, but plays dirty. Don’t let those fluffy yellow pom-poms fool you — mimosa’s got a raunchy side thanks to its dusty niff of overripe honey. Orris doubletracks mimosa’s powderiness, while peach twins mimosa’s earthy sweetness. Mellow sandalwood steers macadamia from a nut to wood. Macadamia? That’s Ms Macadamia to you.

Originally created at the Jermyn Street shop by Mr John Floris in the early 1800s. Devoted wearers of the fragrance have included Florence Nightingale, and Lord Admiral Nelson is reported to have bought Floris White Rose for his mistress, Lady Hamilton.

White Rose is a classic take on a classic theme. This perfume is quite stately in its introvert elegance. Carnations meet a bouquet of other flowers and in the powdery mist of orris it's not quite possible to tell the fresh roses from spicy carnations.

Almaz, the Arabic word for diamonds, are renowned not only for their beauty, but also for their timelessness as they withstand millions of years of immense pressure in their formation. This EdP references the indestructible nature of diamonds with a powerful blackcurrant-led bouquet. Juiciness is enhanced with raspberry, while powdery heliotrope and musk add padding to the cushiony feel. The ambered base, redolent with vanilla and brown sugar, offsets blackcurrant’s tartness.
 
The jewelled bottle incorporates a poem composed by Elen Jeres Ayoub, portrayed in Eastern Kufic calligraphy. The words have been meticulously placed so that the vertical lines create eight zones on the bottle, representing the lunar phases in each lunar calendar month to represent the passage of time.

The seasons and their times
And pressures and their effects,
Bear Diamonds as their fruit.
-Elen Jeres Ayoub