Best Le Baiser Du Dragon by Cartier Alternatives & Similar Perfumes

A tribute to the peace and harmony of a late summer afternoon; a fragrance that is pure, serene and enveloping.

A peaceful stroll through the wheat fields and almond trees as the light of a summer day wanes and the warmth of the air caresses your skin… Admiring the beauty of the sun as it starts dipping behind the rolling hills and bunches of wild roses and geraniums color the dimming countryside.

Their bountiful blooms release subtle droplets of nectar that float in the air and blend with the earthy scent of freshly cut wood, invading the early night…

Many ancient cultures revered rubies, believing these sacred stones to be immortal emblems of love, vitality and the unyielding pulse of life itself. Ruby opens with a burst of red berries, pineapple, and juicy, juicy cherries. Much like cherry blossoms, cherries conjure the delicate and fleeting nature of life, a reminder of moments to be savoured. The heart notes swirl with whipped cream and brown sugar, before settling into a rich fusion of musk, amber and benzoin.

A new perfume by Olfactive Studio, a new collaboration between an established photographer and talented perfumer.

Close-up is an intense dark woody gourmand, the signature theme of Annick Menardo (also the nose behind Black for Bulgari, Bois d'Armenie for Guerlain and Lolita Lempicka among others).

The perfume smells boozy and bitter sweet with a cherry liqueur - tonka nuance going through the structure.  The opening is cool anise and green coffee which then gradually descends into a very dark heart concocted of rose, honeyed Atlas cedar, patchouli and amber. The perfume turns fresher in the drydown of bright musks.

Incredible longevity on skin.

The artwork: Close Up by Suren Manvelyan.

***

The Sniff on Close-up:
"This deep and seductive blend combines lots of rich and multifaceted notes to produce a real dark brown bear of a scent. Not for the timid or faint hearted, Close Up is one for the sophisticated gourmandy types."

Read full review

Matilde Bonaparte, niece of Napoleon I, was known for her breasts (“le plus beau décolleté”) and her talent as a painter. She also hosted a celebrated 19th-century Parisian salon attended by the greatest artists and writers of her time. This namesake perfume is an olfactory salon of provocative white florals (ylang-ylang, narcissus, jasmine) given tropical succulence with passion fruit and papaya. Mathilde’s heady brightness is softened by iris and sandalwood.

Drunken Cherries. Wild side to an innocent one.

PERFUMER
FLORIAN GALLO

This is a new more concentrated edition.

Sniffing is the next generation of fetish: inhaling, craving. Smoke and black cherries in champagne. Rose, oud and amber. Sparkling and titillating, just like foreplay. Your skin, your fetish.

This perfume goddess wields two green swords: one of gardenia, one of neroli.

Real swords make a 'whoosh' sound, but here the perfume equivalents produce two beautiful currents that spiral around each other: the creamy hay-like trail of gardenia, and the sharp green citrus of neroli.

An addictive and sophisticated gourmand balancing almond marzipan and suede leather inspired by Medieval Andalusia, the city of Córdoba and almond sweets. A must try for gourmand lovers.

Hasbaya is a city in Lebanon, and Néroli Hasbaya is inspired by a Lebanese dessert called mouhalabieh, a milk pudding flavoured with orange blossom and pistachio. This extrait opens with incandescent neroli, wrapped in nutty’n’buttery hints of pistachio and almond. Orange blossom reveals its full depth in the base, and the creamy richness of sandalwood and Peruvian balsam enhance the enfolding trail of this radiant perfume.

Perfumer: Céline Perdriel

“Bain de minuit” is French for “skinny dipping”, and what could be more decadent than a midnight splash au natural in a giant vat of strawberries, cherries and vanilla? The initial fruity-tootiness gives way to a tough ‘n’ tropical accord of monoï oil and leather, with jasmine and praline singing the high and low harmonies.