Best Seasons Rise by Riiffs Perfumes Alternatives & Similar Perfumes

Azure line

Perfumer: Fabrice Pellegrin

A formula which works like an ornate jewel case: all of the ingredients (pepper, cedar, vanilla and musk) hold the most precious of perfume materials– orris, in all its powdery suede glory.

Perfumer: Dominique Moellhausen

The spirited country girl arrives in the bustle of the city, determined to change her status to “anything but innocent”. That’s Sweet Lure, bubbling with naughty possibilities. Cinnamon and lily-of-the-valley swirl in a bamboozling haze of neroli and vanilla, keeping things alluring but fun.

Some of us have known it, others have yet to experience it, but we are all waiting or looking for it. It will come. True love is an eternal beginning again

The floriental baroquesque parfum St. Paul's embodies an adoration and admiration to the spectacular era of Baroque. This style in architecture, music, art, sculpture demonstrates exalted movements, clear details, intense light and dark shadows, emotional exuberance, richness, extravaganza, which distinct baroque from other style. 

The English baroque represents iconic St. Paul's Cathedral, which dome has long dominated the London skyline. 

The perfume opens with the precious orange flower and jasmine absolutes with a hint of dried and juicy fruits, contrasting with the darker woody and balsamic base. 

White is a bright and lively fragrance built around the friction between hot spices and suave florals. The cinnamon, clove and cardamom opening suggests candied red hots, which makes it all the more surprising when the melange of rose de Mai and lily of the valley softly asserts itself. The undertone of tagete, with its bitter herbalness, keeps White from getting too “pretty-pretty”.

Memories of the Golden Temple in India. A warm leather caress enhanced by a resinous hug of labdanum, further softened by Cashmeran. Incense adds a smoky spark, while patchouli and cypriol supply the earthiness.

Perfumer: Mylène Alran

An involving fragrance inspired by a cherished love poem — Shakespeare’s Sonnet 116. This sublime ode to the enduring nature of devotion and emotional connection is interpreted here as a sueded blur of amaretto and patchouli. Orris and labdanum further deepen the union of souls.

SONNET 116
Let me not to the marriage of true minds
Admit impediments; love is not love
Which alters when it alteration finds,
Or bends with the remover to remove.
O no, it is an ever-fixèd mark
That looks on tempests and is never shaken;
It is the star to every wand’ring bark
Whose worth’s unknown, although his height be taken.
Love’s not time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come.
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom:
If this be error and upon me proved,
I never writ, nor no man ever loved.

Warm, spicy and friendly, this extrait summons the good and protects you from the bad. A nutty haze of coconut a-swirl with cardamom, walnut and nutmeg soon deepens with the plush lushness of jasmine and iris. Fig, richly sweet and vegetal, adds contrast, while sandalwood provides cozy, just-out-of-focus grounding that is mellow and milky.

The name Alyazia is associated with a rare and delicate gazelle, symbolising grace, elegance and natural beauty. With its traditional Bedouin roots, the name has a strong connection to the heritage of the Arabian Gulf. The fragrance opens with plush, tender violet, illuminated by a solar heart of wild strawberry and orange blossom. The cushioned base of iris, vanilla, tonka bean and sandalwood extends the “ahhhhhhh” of this comforting scent.

The name means “sinful loves”, but there’s no sin in loving a perfume as irresistible as Amori Peccatori. This parfum deposits a quick kiss of fresh grapefruit and pink pepper before getting straight to the point: a plush pillow of orris, tonka bean and vanilla. The base of patchouli, amber and animalic musks lets people know you mean business.

Perfumer: Maud Chabanis