Best African Leather by Memo Paris Alternatives & Similar Perfumes

Patchouli eau de toilette contains 88% natural ingredients, highlighting the green, earthy woodiness of this classic perfume material. This is a charmingly rustic interpretation of patchouli, with warming nutmeg and cardamom offsetting the crisp aromatics of lavender and geranium. Part of the Granado Layering Collection, Patchouli can be worn as a base note with other perfumes, as well as on its own. Free of dyes and animal ingredients.

David Maruitte

“Nerosa is a perfume realized with David Maruitte in 2011, but at that time we believed that Laboratorio Olfattivo was not yet ready to launch a fragrance like this. Today instead, Nerosa can perfectly enter in our Black Collection, thanks to the depth, wealth and strength of its formula. A fragrance whose energy is noticeable and whose enveloping sillage is strong.”

Roberto Drago

The colors of the day are melting. In the shadows, feelings take surprising shapes. The night is calling. Softness is in the air. Silent connections form. The alchemy is real. Two shadows. One.

Sombra is a dirty shadow of tough rose and oud, spiced with saffron and nutmeg. Tolu balsam bathes the composition in a twilight effect of almost-sweet tobacco and leather, for an animalic result that purrs.

White is a bright and lively fragrance built around the friction between hot spices and suave florals. The cinnamon, clove and cardamom opening suggests candied red hots, which makes it all the more surprising when the melange of rose de Mai and lily of the valley softly asserts itself. The undertone of tagete, with its bitter herbalness, keeps White from getting too “pretty-pretty”.

The Orange Extraordinaire collection.

An homage to the role of spices in Western perfumery, history and culture. Naturally it’s a majestic aromatic flow of cinnamon and ginger, with numerous sparks of pepper and a rich incense background.

A celebration of great British eccentricity and all-round mischievous behaviour. This unique fragrance is an ode to the Mad Squire, his legacy of a life lived knowing no bounds and his fiendish love for outlandish stunts. This composition contains broad lashings of velvety woody opulence, finished with the earthy undertones of society’s eventual condemnation.

Squire Jack is an aromatic, oriental and woody perfume created for the rule breaker; this is a scent above all that captivates that free spirit of those that can’t just help but dare.

Kamel was the friend who entrusted Sora Dora founder Antoine with the secrets of the oriental olfactory universe, embodied in this namesake perfume. Built around the clean woodiness of Laotian oud, this extrait contrasts the dirty spice of cumin with sweet raspberry and syrupy rose. Smoky and spicy, Kamel Oud will enhance your next 1001 days and 1001 nights.

Cardamom, patchouli, cinnamon, cloves, Mexican chocolate, incense and musk. SweDoft uses the richest and finest ingredients to get the perfect blend. The juice also contains one of the best varieties of natural Indian oud.

Even with this unique collection of ingredients, SweDoft were still not satisfied with the results of traditional blending.

So they decided to do something unusual, while referencing the final part of Rasputin's story. They dropped the container with the perfume juice to the bottom of the Oresund Strait.

After 90 days, the water pressure in the dark, glacial sea produced unique results. The ingredients had flawlessly combined to fuse the formula.

Flower power above and beyond what Mother Nature envisioned for the majestic rose. Cash Flower borrows the diffusive cashmeran and amber from its perfume sibling Angel Dust, and adds a heaping helping of rose and vanilla. Musk and sandalwood extend the allure long into the night.

A total delight, a Shahmaran dark rose with spicy spikes. This precious rose grows on a rock of amber and this makes its aroma deep and honeyed.

That was Bloom’s fragrant fairy tale take on describing 1001’1 Nights.

It’s a very poetic perfume inspired by the Arabic saga, a maze of stories inside a story. The materials (rose, incense, sea salt) and aesthetics (it’s a rich and generous oriental blend) totally would have fitted Scheherazade’s nights.